The ostrich effect

The beauty of using graceful movement is what’s behind this idea of ‘made you look’ kind of intervention, attracting the viewer with something unrelated to the theme.

This work is not about movement; it's about how we have become so cynical and detached/non-empathetic to the world around us that we’re constantly seeking distractions to avoid thinking about issues and problems, always looking for something to keep us distracted.

These coping mechanisms are similar to what ostriches do, known as the ostrich syndrome, a cognitive bias that describes how people often avoid negative information.

When a collective of people sticks their heads in the sand, not addressing danger or negative information, it blocks a very important defense mechanism essential for the survival of many species.

Our bodies are the living canvases upon which the air leaves its signature.

This unnoticed toll that poor air quality takes on our respiratory systems, cardiovascular health, and overall vitality is becoming more and more evident.

This film serves as both a stark reminder and a call to action, highlighting the need for greater awareness and proactive measures to protect our environment and ourselves, leaving a thread of thoughts:

How many moves do you need for a change?

How many pieces of art do we need to see or create to change?